Once you’ve clicked the Develop button, your edits are baked into that pixel layer. Keep in mind that if you’re accustomed to working in raw-native applications such as Lightroom or Capture One, Affinity Photo doesn’t handle raw processing in the same way. I suppose the idea is that it doesn’t matter where you set your base camp, since you’re climbing the mountain from that point anyway but it makes the editing seem arbitrary. The Basic and Curves controls remain at zero.
#Affinity photo editing software software
It’s also frustratingly opaque: The software will apply a tone adjustment, but the edits aren’t reflected in the settings anywhere.
In general, the Affinity Photo profiles do a good job you can optionally choose to use the profiles built into the operating system instead – in my case, the system-level profiles in macOS that can be used by any developer – but I never found a need.Īffinity Photo’s optional auto-tone feature in the Develop persona is conservative (the Assistant Options button, sporting an icon of a tuxedo-clad butler, includes the option to Apply Tone Curve). If you’re accustomed to working in Lightroom or Capture One, Affinity Photo doesn’t handle raw processing in the same way. This is likely because X-T1 files are X-Trans, which are a non-standard demosaicing challenge. RAF file, compared to about 6 seconds for the others, even in files of roughly the same data size. In my testing, though, I noticed that the raw files from my Fujifilm X-T1 camera took much longer to load using Serif’s raw engine than Nikon or Canon raw files: about 25 seconds for the Fujifilm. The diagonal line on the left is the control for a gradient overlay the controls at right apply just to that overlay while it's active.Īffinity Photo uses its own profiles for interpreting the raw image data from a camera's native raw file formats (each manufacturer tweaks their raw formats with each new camera model release, which is why computer operating systems and software such as Adobe Camera Raw must be updated to read raw files from the newest cameras). And since Develop is a separate persona, you can select a pixel layer in any image and switch to Develop to edit using its tools.Įditing in the Develop persona, with the split-screen Before/After view active. You could perform all the adjustments you want on most photos using just the Develop persona. It also includes tools for cropping and healing, and applying overlays in gradients or by selective brush strokes. Here you’ll find controls for making adjustments that are native to the raw formats, from basic exposure to lens corrections and noise reduction. If you shoot in Raw or Raw + JPEG modes, opening a photo brings it first into the Develop persona.
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